- When did neerja movie start filming pro#
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If you have never used ProTools this is EVEN more reason to adopt.
When did neerja movie start filming pro#
They will much prefer to receive a Pro Tools file from which they can extract what they need as opposed to a bunch of stems that they have to spot in themselves. The other very technical argument is that you only have to set up your PT session once, and once you have checked this with the cutting room, your own PT session will become an immediate sync check so that you can trust files are being sent along to the cutting room or director with the correct idiot-proof timestamp, or the even more idiot proof Pro Tools session! If you get this all right it will also be what you end up using to send to the dub, whether it be for temp ‘preview’ dubs or indeed the final mix. So watch the entire film with the director to get a real sense of thematic arc and balance. So sit back and check a reel. Pro Tools also allows you the brilliant facility of having all reels in the same session, this again allows you to jump around the film, in a single file, on a single timeline.
If you do this as you go it means you will also have a presentable single preview cut to view yourself. Initially so you can run your draft cues into this and instantly hear incoming and outgoing cues bookend the cue you’re working on.
There are a number of reasons for doing this. we strongly recommend running picture, dialogue and your own bounced or baked demos from Pro Tools. It’s worth getting a book and struggling through the maths at least once before you tackle NTSC. Consequently the sound team are usually the best source of advice on what to do. The settings you will need to use depend, to a certain extent, on decisions the on set sound team, and post sound team will have already made before you start regarding sample rates, use of pull up / pull down.
When did neerja movie start filming series#
If you are in the world of NTSC video (on a US TV series for instance), you should make sure you do an end to end sync test with the cutting room as soon as possible to ensure things will stay in sync later on. Mercifully, most video files for film work are now output at 24fps so you won’t need to worry about this problem. Film has 24 frames per second, PAL TV has 25fps and NTSC 30fps (well, kind of…). The number of frames displayed will depend on the film / video format. On a feature film, each reel traditionally begins at the hour of the reel number (eg. It takes the format HH:MM:SS:FF (hours, minutes, seconds and frames).
When did neerja movie start filming code#
* SMPTE ( Society of Motion Picture and Television Engineers) time code is a standard way to label frames on a piece of video or film.
When did neerja movie start filming download#
4-5 Mbit/s target compression will usually bring in a 20 minute reel under 1GB and still looks great (and means you can download an entire 8 reel movie in under an hour on a reasonable internet connection). On a typical modern feature you’ll be getting a lot of versions of picture, so even though disk space probably isn’t an issue any more and the internet is fast, you still want reels to come in at a sensible size. H264 compressed picture offers the best tradeoff of resolution versus size, and this seems to be the format most cutting rooms use these days. The absolutely critical thing is to get the temp music by itself so that you can get rid of it when you need to.Īs the music editor, I also ask for the music AAF output from the cutting room so that you can read the track names of the music files being used (so you can see whether the cutting room has bothered to put in all the cues you’ve been sending over all week). Left channel: Dialogue and effects (the assistant editor will often whack in a few smacks and whacks, gun shots and explosions, make sure you get everything they have so you don’t confuse the director when playing stuff through with her / him).Īdditionally, ask for separate timestamped WAVs 48kHz / 24bit) of:.You should also request some onscreen sync ref… Here’s what we recommend: AUDIO
If they don’t separate the temp score you won’t be able to work against dialogue which will mean the mother of all bun fights at the dub.
You’ll need the picture, you’ll need the dialogue, and you’ll need them to separate their temp score from this. No matter how experienced your editor, or editor’s assistant, they will never know what the music department wants or why.